bagley wright lecture series

I get the feeling people are starting to realize what we are trying to do. In 2017, Geoffrey Nutter gave a workshop & reading from his then-new collection, Cities at Dawn, (Wave Books, 2016) in Seattle at Hotel Sorrento, in partnership with The Hugo House. This talk includes many references to the aesthetics of photographers with whom Zucker identifies or does not identify. SW: It's difficult to find an opportunity to talk to a general audience! She is speaking about having written it 16 months prior to the election of Donald Trump to the presidency, and to the fact that she is now giving this talk, about a week after his election.Visit us at our website, www.bagleywrightlectures.org, for more information about Bagley Wright lecturers, as well as links to supplementary materials on each lecturers archive page, including selected writingsfor example, you can read a transcript of the Q&A that followed this lecture, here.Rachel Zucker's book based on her BWLS lectures, The Poetics of Wrongness (Wave Books, 2023), is available here.Music: "I Recall" by Blue Dot Sessionsfrom the Free Music ArchiveCC BY NC, 7.5 Douglas Kearney with Val-Inc: "Read Red / Red Read: Putting Violence Down in Poetry", Welcome to the fifth & final episode of Season Seven of the Bagley Wright Lecture Series on Poetry podcast.Season Seven is comprised of lectures written and delivered by Douglas Kearney during his tenure as a Bagley Wright Lecturer. Sara Wintz was born in Los Angeles and studied literature and writing at Mills College, Oxford University, and Milton Avery Graduate School of the Arts at Bard. They're familiar with Eliot's lectures but I don't think. Join to view profile Bagley Wright Lecture Series on Poetry . The Bagley Wright Lecture Series bundle includes:The Poetics of Wrongness by Rachel Zucker,Optic Subwoof by Douglas Kearney,Guard the Mysteries by Cedar Sigo,Animal by Dorothea Lasky, The Lives of the Poems and Three Talks by Joshua Beckman, and To Float in the Space Between by Terrance Hayes. This idea evolved in conversation. Ruskin's Storm Cloud of the 19th Century, which is a very important piece of work: that was a lecture. So those are the first six. Today we'll hear "Poetry and Photography," given March 9, 2016, in partnership with Yale University. Feb 27 2023 55 mins 29. Tumblr Thank you to the Woodberry Poetry Room for partnering with the Series for this event, and thank you for listening. I wouldn't want them to feel like they have to talk to the masses, if they don't want to do that. Read a brief essay by Sigo, "Return to Graffiti Land," here on the BWLS blog. Details TBD. Hayess lectures circle the work and life of Etheridge Knight, a poet who has been a muse and mystery (and ghost mentor) for Hayes throughout his career. Douglas Kearney has long engaged the conflation of violence and entertainment in U.S.American culture, from badman folklore to postcards of lynchings. Welcome to the fourth episode of Season Three of the Bagley Wright Lecture Series on Poetry podcast. Season Eight is comprised of lectures written and delivered by Rachel Zucker during her tenure as a Bagley Wright Lecturer. *** Bundle together for 40% off *** contact Choosing a selection results in a full page refresh. What next? She's a wonderful poet and thoughtful person, and really gets the purpose and evolving vision of the Series. here. Register here. I think people really go to the lectures not knowing what it's going to be. Featuring recordings from the BWLS archive, in which contemporary poets explore their thinking on poetry & poetics, & give a series of lectures resulting from these investigations. Still, there are questions that haunt. Copyright 2023 Apple Inc. All rights reserved. Welcome to the third episode of Season Two of the Bagley Wright Lecture Series on Poetry podcast. Eliot's important critical statements: lectures. Like her poetry, the lectures are borne from a long lineage of female writers and artists who ask What now? What next? Read Rohrer's essay, "Instead of Trying So Much, Why Don't You Just Try a Little?" Bagley Wright Lecture Series - Wave Books 3pm-4:30pm Panel:Poetry + Practice with Srikanth Reddy, Dorothea Lasky, JoshuaBeckman (Education North Building -- Next to the Poetry Center). The first lecturer was Dorothea Lasky who just finished her lectures. Visit us at our website, www.bagleywrightlectures.org, for more information about Bagley Wright lecturers, as well as links to supplementary materials on each lecturers archive page, including selected writingsfor example, you can read a transcript of the Q&A that followed this lecture, here. The main experience is for the lecturers to give the lecture in front of people and to see how it feels, to find out what it feels like, what that conversation is like. Today, well hear Dorothea Lasky give her lecture, The Bees. This lecture, the last in Laskys book of poetry lectures, Animal, was recorded especially for this episode. I guess my reaction is to say that I think of it more as what it will do for the individual poets who are delivering the lectures. I'm wondering, in organizing the lectures, whether there's a sort of pedagogical goal: for general audiences, or for the poets, or for the teaching of poetry overall. Welcome to the fifth and final episode of Season Four of the Bagley Wright Lecture Series on Poetry podcast. and Am I allowed to do this? In each of the six lectures well hear this season, Hayes uses Knight to anchor his broad explorations of poems and poetics. With Juan & the Pines, Julian released an EP Glittering Forest in 2019; its first full-length solo album is coming out this fall. Beckman attends to imaginative reality as well as physical artifacts, including beloved dead poets, friendship as viewed through the lens of reading, the book-object, and his own writing process as seen through the lives of the poems.. What are some of your influences outside the realm of the literary? Still, there are questions that haunt. I think that that's a different kind of project. The format for this event will be a talk by Kearney, co-presented with the Bagley Wright Lecture Series. This lecture was given Sept 8, 2016, at Hugo House in Seattle, WA. There's so many other examples of this. Click here to read Sigo's essay on the BWLS blog, "Like Someone in Love: Late Night Thoughts for David Meltzer.". SW: Have you been editorially involved with the lectures? Thank you for listening--and stay tuned for Season Three: Terrance Hayes. For me, personally, I think that there is a pedagogical aspect to Wave Books in general, in the way that any sustained publishing endeavor has that aspect to it or you could even say didactic one: trying to say something about literature and about what can be done with poetry and what matters. Read "'Oh, I will never get it! Joshua Beckmans Bagley Wright lectures attempt to articulate and conjure for the listener the private and shared experiences one can have through reading and listening to poetry. This season, we're listening to the lectures of Cedar Sigo. This season, we're listening to the lectures of Terrance Hayes. SW: Organizationally, how has the lecture series evolved? Welcome to the fourth episode of Season Eight of the Bagley Wright Lecture Series on Poetry podcast. This event is in-person and will be live-streamed. I don't think fewer than three lectures, but it's possible. This lecture was given Sept 8, 2016, at Hugo House in Seattle, WA. MZ: Yes. Were you lectures more or less (or differently) autobiographical than your poems? Rhyme is a potent locus in which the problem of believability is foregrounded. Today we'll hear "Red Read / Read Red: Depictions of Violence in Poetry." We thought there was something so interesting about asking a bunch of poets to talk to a general audience about their interests and concerns within their own poetry and to give some people the opportunity to come up with a few new ideas when they might not otherwise do that at this stage in their careers because they're so busy teaching, or at work, or at other things. It starts to maybe move a little away from the audience and more into the writing process. To break that? Over the next few months we'll be sharing recordings of some of these events, beginning with this one: a panel on Poetry & Social Engagement. The Bagley Wright Lecture Series on Poetry Podcast The series, currently in its first year, commissions poets to develop and deliver public lectures about poetry to national and international audiences. To break that? You have to be careful with that because the lectures aren't speaking for Wave Books, they're speaking for themselves and we want these poets to say what they, as individuals, care about. What next? Judy Halebsky's "From Haiku to Collage" engages the teachings of Basho and how the aesthetic practice of haiku has shaped her work in lyric and free-verse poetry. Register here. Like her poetry, the lectures are borne from a long lineage of female writers and artists who ask What now? So, I've been reading a lot of that sort of material. I think it's a little unfashionable to talk that way because people immediately assume that you're saying that what you do is "better" than what other people do, or what other people do isn't as worthwhile, but we dont feel that way: Wave is a small press, we publish 8-10 titles a year. Rachel considers the history of Confessional poetry, the ethical consequences of representing real people in art, and the other great medium that has influenced her workphotographyexploring how it taught her to look for, but also question, truth and permission in art.Today we'll hear The Poetics of Wrongness: an Unapologia, given November 14, 2016, in partnership with Seattle Arts & Lectures. Today's talk is called "Becoming Visible," and was originally given as part of the APRIL Festival of independent literature, March 20, 2016, at the Hotel Sorrento in Seattle, Washington. Bagley Wright Lecture Series (Podcast) (Library of Congress) This week, well hear Joshua Beckman give his lecture Friendship, Porousness, and the Intimate Experience of Poetry. This lecture was given May 22, 2014, at the Poetry Foundation. How have these private imprints made their way into your work? MZ: Right. But this idea that a poet would come and talk to people about how she works, why she does what she does, how she sees the world: that's less established as a phenomenon in our culture, so there's an opportunity to try to do it different ways and to try to see what happens. But, again, I think that there is a historical example for this workingit's not like we made up this ideaso I think that there is a good reason to think that this will work. SW: yeah, there's a gap , between Eliot's lectures and the education of general audiences and the criticism that poets read. Rachel Zucker's book based on her BWLS lectures, The Poetics of Wrongness (Wave Books, 2023), is available here. The Bagley Wright Lecture Series on Poetry Podcast Bagley Wright Today well hear "A Necessary Darkness: Barbara Guest and the Open Chamber, originally given April 24, 2019 at the University of San Francisco. Season 6 features lectures from the Seattle Series, an offshoot of the BWLS that ran from 2016-2018, & includes talks by Ange Mlinko, Tyehimba Jess, Matthew Rohrer, Don Mee Choi, Matthew Dickman, & Judy Halebsky. MZ: Yeah, I think so. College of HumanitiesCreative Writing MFAHumanities Seminars. Read Nguyen's essay by the same name that accompanies this lecture, here. It will give them a chance to articulate some concepts that have been on their minds, and part of their work, and part of their imaginative lives. The Bagley Wright Lecture Series on Poetry supports contemporary poets as they explore in-depth their own thinking on poetry and poetics, and give a s The 2021 Bagley Wright Lecture Series on Poetry: Douglas Kearney Do you think poets have obligations at all? That was a big moment in his career. To break that? But I think the idea is to try to see what happens when an audience comes into contact with a contemporary poet and not just reading the poems-- which is one great thing that happens-- but when poets try to explicitly articulate their ideas for that particular audience. and Am I allowed to do this? Rachel considers the history of Confessional poetry, the ethical consequences of representing real people in art, and the other great medium that has influenced her workphotographyexploring how it taught her to look for, but also question, truth and permission in art.Today we'll hear "Poetry and Photography," given March 9, 2016, in partnership with Yale University. Tarik Dobbs In the areas of politics and social change, what can poetry do that other forms of writing, art, human activity, cannot? Following the lecture, Lasky and podcast host/BWLS coordinator Ellen Welcker will have a brief wonder about bees, flies, pigs, and some of the ways we might live together better. Matthew Dickmans lecture Making The Black Dog Sit: A Look at Suicide Through Poetry is a personal talk about Dickmans experience with suicide and turning to poetry to better understand the act of suicide. This season, we're listening to the lectures of Cedar Sigo. This fall we are sharing recordings of some of these events. The Bagley Wright Lecture Series: A Conversation | Poetry Foundation Through a versioned series of essayistic vignettes presented in collaboration with SoundChemist, Val-Inc, Kearney entangles his encounters with violence as a reader, poet and performer.Visit us at our website, www.bagleywrightlectures.org, for more information about Bagley Wright lecturers, as well as links to supplementary materials on each lecturers archive page, including selected writings.Douglas Kearney's book based on his BWLS lectures, Optic Subwoof (Wave Books, 2022) is available here.Music: "I Recall" by Blue Dot Sessionsfrom the Free Music ArchiveCC BY NC, Having attended one of Joshuas lectures in person, its so fantastic to have this recording to bring me back to that big evening of words. Season 6 features lectures from the Seattle Series, an offshoot of the BWLS that ran from 2016-2018, & includes talks by Ange Mlinko, Tyehimba Jess, Matthew Rohrer, Don Mee Choi, Matthew Dickman, & Judy Halebsky. Bagley Wright Lecture Series : Library of Congress : Free Download This fall we are sharing recordings of some of these events. We begin with Kearneys talk, "I Killed, I Died: Banter, Self-Destruction, and the Poetry Reading." Beckman attends to imaginative reality as well as physical artifacts, including beloved dead poets, friendship as viewed through the lens of reading, the book-object, and his own writing process as seen through the lives of the poems.. I don't think they know what to expect when they go and I think that's okay, but I'd like to see more people get interested in it. 8pm ET. book review of Robert Frank's The Americans, at Lens Culture, Henri Cartier-Bresson, at the International Center of Photography, Roger Fenton's Valley of the Shadow of Death at Public Domain Review, The Dead of Antietam, by Mathew Brady and associates, William Eggleston at Eggleston Art Foundation. It's the listeners and the readers and the people out in the world who will be the most important people. Thank you to Seattle Arts and Lectures for partnering with the Series for this event, and thank you for listening. How might poetic aesthetications of brutality transform, reinscribe, or abet violence? To break that? That's one of many, many examples. I go up to Seattle a lot. Brolaski will discuss the relationship of these properties to rhyme position, a place where formal constraint can result in the display or concealment of poetic skill. The Bagley Wright Lecture Series on Poetry Podcast. Guard The Mysteries (Bagley Wright Lecture Series) Season 1: Joshua Beckman, Season 2: Dorothea Lasky, Season 3: Terrance Hayes, Season 4: Cedar Sigo, & Season 5: "You Are Who I'm Talking To: Poetry, Attention & Audience" are also available. Season 1: Joshua Beckman, Season 2: Dorothea Lasky, Season 3: Terrance Hayes, Season 4: Cedar Sigo, & Season 5: "You Are Who I'm Talking To: Poetry, Attention & Audience" are also available. Welcome to the fifth episode of Season Three of the Bagley Wright Lecture Series on Poetry podcast. One of the interesting aspects of in-depth writing and lecturing about ones own poetics is the revelation of otherwise undisclosed influencesthose encounters and obsessions that are not often talked about, or are even unknown by those outside the poets familiar circlewhich are therefore surprising, even to the most discerning reader. To view a few of Hayes's correlative drawings from the book, click here. and Am I allowed to do this? A quick note about this lecturejust prior to beginning, Zucker gives a nod the timing of writing this talk. Hayess lectures circle the work and life of Etheridge Knight, a poet who has been a muse and mystery (and ghost mentor) for Hayes throughout his career. Season Eight is comprised of lectures written and delivered by Rachel Zucker during her tenure as a Bagley Wright Lecturer. This talk was originally given March 24, 2021, at Portland Literary Arts, via Zoom. I think that is true. Please enjoy this short reading by the author, in celebration of his now-new collection, Giant Moth Perishes, (Wave Books, 2021). Sara Wintz: Hi Matthew, how did The Bagley Wright Lecture Series start? Douglas Kearney has long written about the conflation of violence and entertainment in U.S. American culture, from badman folklore to postcards of lynchings. We begin with Kearneys talk, "I Killed, I Died: Banter, Self-Destruction, and the Poetry Reading." Matthew Zapruder: We're always thinking about things to do and one of Charlie's interests is criticism. Thank you to NYU for partnering with the Series for this event, and thank you for listening. Following today's lecture, well tune in to a conversation on the supernatural, between Lasky, paranormal investigator Vinny Carbone, and mystic artist and spiritual teacher, Lou Florez. I don't think about it in terms of age as much as I do thinking about expanding the audience. etc. Turning Into Dwelling is on Knights mentee, Christopher Gilbert, and the importance of community. MZ: The main other person is the audience. Charlie Wright, Publisher of Wave Books, established the Bagley Wright Lecture Series on Poetry (BWLS) in memory of his late father, the businessman and philanthropist Bagley Wright.The BWLS is a nonprofit that supports contemporary poets as they explore in-depth their own thinking on poetry and poetics, and give a series of lectures resulting from these investigations. 7pm PST, free. DMZ Colony is available here, and at independent bookstores everywhere. Welcome to the second episode of Season Two of the Bagley Wright Lecture Series on Poetry podcast. Today we'll hear Read Red / Red Read: Putting Violence Down in Poetry, a collaborative performance with Val-Inc, given in person at the Ace Hotel Brooklyn in partnership with BOMB magazine, November 9, 2021. Welcome to the fifth & final episode of Season Seven of the Bagley Wright Lecture Series on Poetry podcast. All panels and readings are free and open to the public. Santa Barbara Public Library, Santa Barbara, CA. Douglas Kearney's book based on his BWLS lectures, Optic Subwoof (Wave Books, 2022) is forthcoming, and is available for purchase here. In February of 2018, the Bagley Wright Lecture Series and the University of Arizona Poetry Center co-hosted a three-day conference called, "You Are Who I'm Talking To: Poetry, Attention, & Audience," featuring reading, talks, and conversations between the first six BWLS lecturers, Joshua Beckman, Dorothea Lasky, Timothy Donnelly, Srikanth Reddy, Rachel Zucker, and Terrance Hayes. Today we'll hear Read Red / Red Read: Putting Violence Down in Poetry, a collaborative performance with Val-Inc, given in person at the Ace Hotel Brooklyn in partnership with BOMB magazine, November 9, 2021. Season Eight is comprised of lectures written and delivered by Rachel Zucker during her tenure as a Bagley Wright Lecturer. Thank you to New York Universitys Creative Writing Program for partnering with the Series for this event, to Seminary Coop and the Open Stacks podcast for permission to rebroadcast this interview, and to you for listening. How might poetic aesthetications of brutality transform, reinscribe, or abet violence? This fall we are sharing recordings of some of these events.
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