Plate V of the portfolio Edgar Poe, Unidentified lithograph from Les Origines, 1883, Les Prtresses furent en attente, 1886. $12 each. 19078, New York 407, Gallery H; Chicago 244 and Boston 125, as Luxury, Portrait de Marguerite; now titled Girl with a Black Cat, 1910, New York 408, Gallery R; Chicago 245 and Boston 126, as Portrait of Marguerite, Les Capucines; now titled Nasturtiums with the Painting Dance, 1912, New York 409, Gallery H; Chicago 246 and Boston 127, as Nasturtiums, Nature morte; elsewhere called Still Life with Greek Torso, 1908, New York 410, Gallery H; Chicago 247 and Boston 128, as Still Life, #La Femme bleue; now titled Blue Nude, 1907, New York 411, Gallery H; Chicago 248 and Boston 129, as The Blue Woman, New York 412, Gallery K; Chicago 236 and Boston 117, as Drawings, Drawing, No. The International Exhibition of Modern Art, better known as The Armory Show, opens on February 17th, 1913 in New York City. [citation needed], Many exhibitions in 2013 celebrated the 100th anniversary of the 1913 Armory Show, as well as a number of publications, virtual exhibitions, and programs. The number in the New York catalogue is followed by the numbers in the Chicago and Boston catalogues, where applicable. Another article from the time, also in the Armory Show scrapbooks, shows the work with the title Landscape. 1853, Window on the City, No. [13] About the modern works, former President Theodore Roosevelt declared, "That's not art!". There have been several exhibitions that were celebrations of its legacy throughout the 20th century. Three sold for $36 to Lillie P. Bliss, March 4, 1913: Les Crpuscules ont une douceur dancienne peinture; now titled Twilights Have the Sweetness of Old Painting (Les Crpuscules ont une douceur dancienne peinture), plate 6; Elle tait plus belle que les rves, plate 7; Mais cest le coeur qui bat trop vite, plate 12 (current location: The Museum of Modern Art, New York). $27 set, $6 single. 16, 1911 (illustrations for Van Zantens glckliche Zeit by Laurids Bruun), New York 453, Gallery K; Chicago 268; Boston 134, Marjorie Organ (Mrs. Robert Henri) (18861931), Sold for $87.50 to Henry C. Frick, March 4, 1913, #Portrait; now titled Portrait of Gigi Cavigli of Arezzo, 1912, New York 268(a), Gallery L; Chicago 273 , Renoirs Liseuse; now titled dAprs Renoir, 1912. as Watercolors, New York 996, Gallery L; Chicago 442 (?) Kramer was known to change the titles of his works, and nos. ), as Drawings, It is not known which or how many of the drawings from the New York show went to Chicago, New York 871, Gallery L; Chicago 223(? Exhibited at the 1913 Armory Show, New York, Chicago, Boston. The Armory Show, also known as the International Exhibition of Modern Art, was one of the first exhibitions dedicated to modern art in the U.S. A Creature of God 685. 2 (1912) L auded as one of the most influential events in the history of American art, the Armory Show has a mythic legacy that rivals the raucous opening of Igor Stravinsky's ballet, The Rite of Spring in Paris. (Gradually the moniker, the Armory Show supplanted the longer, official title.) Mr. O'Hara sent the investigator to look over the pictures after he had received many complaints of the character of the show. 1912, location unknown, Francis Picabia, The Dance at the Spring, 1912, oil on canvas, 47 7/16 47 1/2 inches (120.5 120.6cm), Philadelphia Museum of Art, Philadelphia. was paid $80 in commission on November 29, 1913, Sold for $150 to Mrs. Barend Van Gerbig, March 7, 1913, Baigneuses, now titled Landscape with Figures, 1909, New York 156, Gallery H; Chicago 131, as Bathers, New York 158, Gallery H; Chicago 133, as Exotic Vegetation, New York 173, Gallery R; Chicago 136; Boston 53, Sous les palmiers; now titled Under the Palm Trees, 1891, New York 174, Gallery R; Chicago 137 and Boston 54, as Under Palms, #Lsprit du mal; now titled Parau na te Varua ino (Words of the Devil), 1892, New York 175, Gallery R; Chicago 139 and Boston 55, as The Spirit of Evil. Pierre-Auguste Renoir, In The Garden 1885, Hermitage Museum, St. Petersburg, Mary Cassatt, Mre et enfant (Reine Lefebre and Margot before a Window), c.1902, Georges Seurat, Models (Les Poseuses) 18861888, Barnes Foundation, Philadelphia, Vincent van Gogh, Self-Portrait, c. 1887, oil on canvas, 40 34cm (15 by 13 in). [31] "Mare's ensembles were accepted as frames for Cubist works because they allowed paintings and sculptures their independence", writes Christopher Green, "creating a play of contrasts, hence the involvement not only of Gleizes and Metzinger themselves, but of Marie Laurencin, the Duchamp brothers (Raymond Duchamp-Villon designed the facade) and Mare's old friends Lger and Roger La Fresnaye". The sales and records note titles may be tentatively identified: Sold for $12.50 to Arthur B. Davies, February 21, 1913, Sold for $13.50 to Robert W. Chanler, February 26, 1913, Sold for $12.50 to Robert W. Chanler, February 26, 1913, Sainte Thrse; also called Le Livre, 1892, Sold for $12.50 to Paule Stein, March 4, 1913, New York 310, Gallery J; Chicago 332 and Boston 183, as The Red Boat, Sold for $270 to Mary L. Willard, March 15, 1913, New York 1059, Gallery J; Chicago 335, as Christ, Listed in the Boston catalogue as lent by Wilhelm Uhde, but records show no such loan; no catalogue number for New York, #Algrienne assise; now titled Algerian Girl, 1881, Not listed in the NY catalogue but displayed for sale and order. and Boston 132 (? The original catalogue listing under 268, 269 and 270 is confusing; probably garbled in typesetting. Frieze Acquires New York's Armory Show and Expo Chicago Fairs - ARTnews.com Albert Pinkham Ryder, Seacoast in Moonlight, 1890, the Phillips Collection, Washington, D.C. Paul Gauguin, Words of the Devil, 1892, National Gallery of Art, Washington, D.C. Paul Gauguin, Nature morte l'estampe japonaise (Flowers Against a Yellow Background), 1889, oil on canvas, 72.4 93.7cm, Museum of Contemporary Art, Tehran, Paul Gauguin, Tahitian Pastorals, (Reo M`ohi: Faa iheihe (Fa'ai'ei'e)), 1898, National Gallery on loan from the Tate, Henri Rousseau, The Centenary of the Revolution, 1892, Henri Rousseau, Cheval attaqu par un jaguar (Jaguar Attacking a Horse), 1910, oil on canvas, 116 90cm, Pushkin Museum, Edvard Munch, Vampire 189394, Nasjonalgalleriet, Oslo, Paul Czanne, Old Woman with Rosary, 18951896, Claude Monet, Water Lilies and Japanese Bridge, 18971899, Henri-Edmond Cross, Cypresses at Cagnes, c.1900, Paul Signac, Port de Marseille, 1905, Metropolitan Museum of Art, Andr Derain, 1912, Window on the Park (La Fnetre sur le parc), 130.8 89.5cm, Museum of Modern Art, New York, Andr Derain, Landscape in Provence (Paysage de Provence) (c. 1908), Brooklyn Museum, Brooklyn, Odilon Redon, Le Silence, 1900, pastel, 54.6 54cm, Museum of Modern Art, New York, George Bellows, Both Members of This Club, 3' 9" 5' 3", National Gallery of Art, 1909, Othon Friesz, Landscape with Figures, 1909, oil on canvas, 65 83cm, Amadeo de Souza Cardoso, Saut du Lapin, 1911, Amadeo de Souza Cardoso, Avant la Corrida, 1912, oil on canvas, 60 92cm, Calouste Gulbenkian Foundation, Lisbon, Portugal, Robert Winthrop Chanler, Leopard and Deer, 1912, gouache or tempera on canvas, mounted on wood, 194.3 133.4cm, Rokeby Collection, Edward Middleton Manigault, The Clown, 191012, oil on canvas, 86.4 63.2cm, Columbus Museum of Art, Ohio, Patrick Henry Bruce, Still Life, ca. Probably Les Baigneurs from Vollards unpublished third volume of LAlbum des peintres-graveurs. $600 in Kuhn catalogue; $300 in MacRae catalogue. 11621 are now titled Fine Fruits, Three Women, Florist, and Bridal Shop, and are owned by Bernard Goldberg Fine Arts, LLC, Yale University Art Gallery, New Haven, Connecticut, George Walter Vincent Smith Art Museum, Springfield, Massachusetts, Stamford Museum and Nature Center, Connecticut, Le Roi et la reine entours des nus vites; now titled The King and Queen Surrounded by Swift Nudes, 1912, New York 239, Gallery I; Chicago 105, as King and Queen Surrounded by Nudes, Sold for $324 to Arthur J. Eddy, March 2, 1913, Portrait de joueurs dchecs; now titled Portrait of Chess Players, 1911, New York 240, Gallery I; Chicago 106, as Chess Players, Sold for $162 to Arthur J. Eddy, March 1, 1913, #Nu descendant un escalier; now titled Nude Descending a Staircase (No. Vesuvius | The Armory Show at 100 It was the first large exhibition of modern art in America, as well as one of the many exhibitions that have been held in the vast spaces of U.S. National Guard armories. and Boston 132 (? Exhibited: New York (no. Listed in the catalogue as beyond Boyesen, probably a misspelling of Bayard. Bayard Boyesen was an American poet of Norwegian descent. Plate V of the portfolio La Nuit, Les Dbcles, 1889. Theodore Roosevelt's review of the Armory Show for, Arrangement in Grey and Black: The Artist's Mother, Woman with Mustard Pot (La Femme au pot de moutarde), L'Homme au Balcon, Man on a Balcony (Portrait of Dr. Tho Morinaud), American Studies at the University of Virginia, Walt Kuhn, Kuhn Family Papers, and Armory Show Records, 1913 Armory Show, The Story in Primary Sources (Timeline), "Securing a Space: The 69th Regiment Armory", "Walt Kuhn's Itinerary through Europe, 1912". Sold for $6,700 to The Metropolitan Museum of Art, New York, March 16, 1913, New York 218, Gallery Q; Chicago 42; Boston 17, New York 219, Gallery Q; Chicago 43; Boston 18, New York 220, Gallery Q; Chicago 44; Boston 19, New York 580, Gallery Q; Chicago 46; Boston 21, #Flowers; now titled Le Vase Bleu Sombre, II, ca. [17], The purchase of Paul Czanne's Hill of the Poor (View of the Domaine Saint-Joseph) by the Metropolitan Museum of Art signaled an integration of modernism into the established New York museums, but among the younger artists represented, Czanne was already an established master. Laurette E. McCarthy, Walter Pach, Walter Pach (18831958), A Finding Aid to the Walt Kuhn Family Papers and Armory Show Records, 18591978 (bulk 19001949), "1913 Armory Show Revisited: The Artists and their Prints,", "1913 Armory Show: The Story in Primary Sources", "World Premier Film Event: The Great Confusion: The 1913 Armory Show", "Albert Gleizes and Jean Metzinge, except from. At the Armory Show . Francis Picabia, The Procession, Seville, 1912, oil on canvas, 121.9 121.9cm, National Gallery of Art, Washington DC. Other information is available in Milton Brown, The Story of the Armory Show (New York: Abbeville Press, 1988). March 24, 1913 marked the opening of the International Exhibition of Modern Art at its second stop and its only museum venue, the Art Institute of Chicago. Armory Show postcard, Constantin Brncui, The Kiss, 1907-1908, published in the Chicago Tribune, March 25, 1913, Constantin Brncui, Une Muse, 1912, plaster, 45.7cm (18 in.) Director William M.R. [20], Experiments in Art and Technology (E.A.T.) 15, 1913) Art;Armory Show (1913) Armory Show (1913) [g]United States;Feb. 17-Mar. [citation needed], The AAPS members spent more than a year planning their first project: the International Exhibition of Modern Art, a show of giant proportions, unlike any New York had seen. New York 202, Gallery H; Chicago 149 and Boston 66, as Stained Glass, Sold for $81 to John Quinn, March 15, 1914, New York 203, Gallery H; Chicago 150 and Boston 67, as Homage to Gauguin, Sold for $189 to John Quinn, February 26, 1913, The Bathing Hour; now titled The Bathing Hour, Chester, Nova Scotia, 1910, La Femme aux phlox; now titled Woman with Phlox, 1910, New York 195, Gallery I; Chicago 152 and Boston 68, as Woman and Phlox, #LHomme au balcon; now titled Man on a Balcony (Portrait of Dr. Theo Morinaud), 1912, New York 196, Gallery I; Chicago 153, as Man on the Balcony, Sold for $540 to Arthur J. Eddy, March 2, 1913, #Collines Arles, now titled Mountains at Saint-Rmy (Montagnes a Saint-Rmy), 1889, New York 424, Gallery Q; Chicago 408 and Boston 213, as Hills at Arles, Bal Arles; now titled La salle de danse Arles, 1888, New York 425, Gallery Q; Chicago 409 and Boston 214, as Ball at Arles, Drawing (erroneously listed in catalogue as oil), New York 426, Gallery Q; Chicago 410 and Boston 215, as The Zouave, New York 427, Gallery Q; Chicago 411; Boston 216, LOlivier; now titled Landscape with Figures, 1889, New York 428, Gallery Q; Chicago 412 and Boston 217, as The Olive Tree, Dans les bois; now titled Undergrowth with Two Figures, 1889, New York 429, Gallery Q; Chicago 413 and Boston 218, as In the Woods, Le Grand Olivier; now titled The Olive Plantation, 1889, New York 430, Gallery Q; Chicago 414 and Boston 219, as The Big Olive Tree, Nature morte. It is unclear which and how many were exhibited, #In the Opera; now titled At the Opera, 1908, Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, Francis M. Naumann and Marie T. Keller, Yorktown Heights, New York, F[riedrich] A[ugust] Weinzheimer (18821947), New York 419, Gallery K; Chicago 443; Boston 241, New York 420, Gallery K; Chicago 444 and Boston 242, as Women Bathing, Factory Village; now titled The Factory Village, 1897, Huntington Library and Art Gallery, San Marino, California, New York 992, Gallery L; Chicago 442 (?) "[6] Other founding AAPS members included D. Putnam Brinley, Gutzon Borglum, John Frederick Mowbray-Clarke, Leon Dabo, William J. Glackens, Ernest Lawson, Jonas Lie, George Luks, Karl Anderson, James E.Fraser, Allen Tucker, and J. Alden Weir. 393 must have been invited later. 1913. They intended the organization to "lead the public taste in art, rather than follow it. Art;Armory Show (1913) Armory Show (1913) [kw]Armory Show (Feb. 17-Mar. A selection of art books lent by Ambroise Vollard and Artz & de Bois was displayed for sale at the Armory Show, including: Louis Bertrand, Gaspard de la nuit (Paris: Ambroise Vollard, 1904), illustrated with 213 wood engravings by Armand Seguin, A Van Gogh portfolio of 9 collotype reproductions of his paintings (Artz & de Bois), Anonymous translation, LImitation de Jsus-Christ, illustrated with 216 wood engravings by Maurice Denis (Paris: Ambroise Vollard, 1903), $67.50. 1913 Armory Show List by Gallery The following list includes artists, titles, and catalogue numbers in order by gallery, as they appeared in the 1913 New York catalogue and supplement. S. Rmy, Dieppe; now titled Church in Dieppe, 1912, New York 379, Gallery G; Chicago 376; Boston 200, Marseilles, Calm Sea; now titled Port of Marseilles, 1901, New York 395, Gallery J; Chicago 377; Boston 201, Catalogued but not received; evidence indicates that this was an alternative title for #395 (Signacs Marseilles, Calm Sea), New York 397, Gallery J; Chicago 378 and Boston 202, as Watercolors. Armory Show of 1913 Sold for $1,500 to George F. Porter, May 3, 1913, New York 170, Gallery H; Chicago 64, as Landscape, Sold for $135 to Arthur J. Eddy, March 4, 1913, New York 171, Gallery H; Chicago 65, as Evening, Sold for $135 to Dr. Helen C. Loewenstein, March 2, 1913, Kuhn catalogue: $200; MacRae catalogue: $300, New York 93, Gallery K; Chicago 67, as Drawing, $300. [1] In September 1912, Kuhn left for an extended collecting tour through Europe, including stops at cities in England, Germany, the Netherlands, and France, visiting galleries, collections and studios and contracting for loans as he went. 'Armory Show' That Shocked America In 1913, Celebrates 100 8), Andrew Dasburg, ca. [2] New York Armory Show in 1913 | Painters, Impact & Significance - Video 1 language Article Talk Read Edit View history Tools Armory Show poster. Senators Woodward and Beall of the commission will visit the exhibition today. The Smithsonian's Archives of American Art commemorates the centennial of the International Exhibition of Modern Art, known as the 1913 Armory Show--the first major exhibition of European modern art in the U.S. Sold for $400 to Arthur J. Eddy, March 2, 1913, New York 416, Gallery I; Chicago 288 and Boston 141, as The Procession, Seville, New York 417, Gallery I; Chicago 285; Boston 142, New York 418, Gallery I; Chicago 286 and Boston 143, as Souvenir of Grimaldi, Italy, Pablo Picasso (listed in catalogue as Paul) (18811973), New York 345, Gallery I; Chicago 288 and Boston 145, as Still Life, New York 346, Gallery I; Chicago 289 and Boston 146, as Still Life, New York 347, Gallery I; Chicago 290 and Boston 147, as Trees, Sold for $243 to Arthur B. Davies, March 7, 1913, New York 348, Gallery R; Chicago 291; Boston 148, New York 349, Gallery I; Chicago 292 and Boston 149, as Head of a Man, La Femme au pot de moutarde; now titled Woman with Mustard Pot, 1910, New York 350, Gallery I; Chicago 293 and Boston 150, as The Woman and the Pot of Mustard, Drawing; now titled Standing, Female Nude, 1910, New York 351, Gallery J; Chicago 287; Boston 144, Bust; now titled Head of a Woman (Fernande), 1909, On loan from Mrs. Frederick M. Stafford to the New Orleans Museum of Art, Louisiana, Kuhn catalogue: $650; MacRae catalogue: $625, #Landscape with Figures, 1912; now dated ca. 1892, New York 291, Gallery J; Chicago 321 and Boston 172, as Mystic Profile, University of Arizona Museum of Art, Tuscon, New York 292, Gallery J; Chicago 322 and Boston 173, as Dream of the Orient, New York 293, Gallery J; Chicago 323 and Boston 174, as Basket of Flowers, Sold for $195 to Mrs. Porter Norton, March 7, 1913, New York 294, Gallery J; Chicago 324 and Boston 175, as Poppies, Sold for $520 to Daniel H. Morgan, February 19, 1913, New York 295, Gallery J; Chicago 325 and Boston 176, as Ships, Sold for $390 to Ira N. Morris, March 17, 1913, New York 298, Gallery J; Chicago 327; Boston 178, New York 299, Gallery J; Chicago 328 and Boston 179, as Head Among Flowers, #Le Silence; now titled Silence, ca. [20], Women artists in the Armory Show includes those from the United States and from Europe. Sold to Katherine S. Dreier, March 13, 1913. The story is far from over. Not listed in New York catalogue, but displayed for sale and order. Berkshire Museum, Pittsfield, Massachusetts, American Tradition Gallery, Greenwich, Connecticut, Not listed, but was added in the Kuhn catalogue with the notation small, New York 153, Gallery K; Chicago 7; Boston 1, $27 each. One sold for $15 to Arthur B. Davies, March 1, 1913. Corcoran Gallery of Art, Washington, D.C. Silver Willow Bowl, $50; Orange Bowl, $25; Orange Cups (pair), $15; Ballet Girl Tray, $12; Golden Glow (cup and saucer), $15; Dark Blue and Gold (cup and saucer), $15; Silver Lustre Tea Pot, $15; White and Gold (cream pitcher), $6; White and Gold (meat platter), $25; White and Gold (dinner plates), $175/dozen; Silver Flower (salad plates), $125/dozen; Pale Blue (tea cups), $60/dozen. 188589, Oil (Previously this Decorative Panel was thought to be The Fishermans Family), New York 271, Gallery J; Chicago 300; Boston 151, New York 272, Gallery J; Chicago 301, as The Bunch of Red Leaves, and Boston 152, as The Bouquet with Red Leaves, New York 273, Gallery J; Chicago 302 and Boston 153, as Flowers (Red Background), Sold for $1,350 to Mrs. Wendell T. Bush, March 14, 1913, New York 274, Gallery J; Chicago 303 and Boston 154, as Pegasus on a Rock, New York 275, Gallery J; Chicago 304, as Study, and Boston 155, as Fecundity (study), Vase de fleurs avec granium, No. Armory Show catalogue (illustrated) from pages 159 through 236, Catalogue of international exhibition of modern art Association of American Painters and Sculptors. While in Chicago, the exhibition created a scandal that reached the governor's office. Gutzon Borglum, one of the early organizers of the show who for a variety of reasons withdrew both his organizational prowess and his work, labeled this piece A staircase descending a nude, while J. F. Griswold, a writer for the New York Evening Sun, entitled it The rude descending a staircase (Rush hour in the subway). This picture was called a painting in one letter and a pastel in a later letter by Mrs. James E. Watson, in which it was referred to as April?, hanging near no. 3, 1912, New York 449, Gallery I; Chicago 431 and Boston 233 or 234, as Puteaux, Study, Sold for $108 to Hamilton E. Field, March 7, 1913, New York 450, Gallery I; Chicago 432 and Boston 233 or 234, as Puteaux, Study, Sold for $108 to Dr. Helen C. Loewenstein, March 9, 1913. It is not clear which or how many were exhibited, New York 342, Gallery I; Chicago 93 and Boston 37, as The Blue Pot, #La Fort Martigues; now titled Forest at Martigues, ca. On December 22, 2012 By admin. The address 7 Rue Lematre Puteaux, was written on the line for the lender, and was misread as M. It is not known which or how many of these drawings (nos. Joies de Bretagne sold for $6 to Katherine S. Dreier, March 13, 1913 (current location: Yale University Art Gallery, New Haven, Connecticut). Postcard of Kandinsky's Improvisation. $135 each: Druet #2771 sold to John Quinn, March 1, 1913. Sold for $270 to Arthur B. Davies, March 7, 1913. Plate 6 from the Apocalypse of Saint-Jean, Sold for $20 to John Quinn, February 26, 1913. One sold for $6 to Allen Tucker, March 7, 1913. 1 to 5; elsewhere titled Nudes, 1912, $54 each. No. One sold for $15 to Walt Kuhn, no date. Of the following, all the identified prints are from Amour, a portfolio of 12 color lithographs published by Vollard, Paris, 1898. 2, 1913. 3 sold for $81 to Lillie P. Bliss on February 22, 1913; 6 sold for $162 to John Quinn on March 10, 1913; 1 sold for $40 to Mrs. Richard Sheldrick on March 13, 1913; 1 sold for $20 to Elmer L. MacRae on May 10, 1913, New York 1102, Gallery L; Chicago 349, as Drawings, New York 1002, Gallery K; Chicago 350, as Nude, Kuhn catalogue: $25 for two small drawings, $50 for one large; MacRae catalogue: $25 each, This was probably one of the three drawings in the New York show. It was the first large exhibition of modern art in America, as well as one of the many exhibitions that have been held in the vast spaces of U.S. National Guard armories. The investigator reported that a number of the pictures were "immoral and suggestive." The list is largely drawn from the . Kuhn's list of works by Matisse and Picasso. Sold for $200 to Mrs. Charles C. Rumsey, March 1, 1913, New York 569, Gallery G; Chicago 68 and Boston 27, as The Beautiful Antonia, New York 570, Gallery G; Chicago 69; Boston 28, New York 571, Gallery G; Chicago 70; Boston 29, New York 572, Gallery G; Chicago 71 and Boston 30, as The Toilet, New York 1020, Gallery G; Chicago 72; Boston 31, Chtillon; elsewhere called Chtillon-sur-Seine, Sold for $150 to W. Clyde Jones, March 24, 1913, New York 229, Gallery J; Chicago 77, as Flowering Almonds, New York 213, Gallery J; Chicago 78 and Boston 32, as Watercolor, New York 232, Gallery J; Chicago 79 and Boston 33, as Watercolor, Kuhn catalogue: $350; MacRae catalogue: $250, #Troisime Classe; now titled Third-Class Carriage (Un Wagon de Trosime Classe), 185658, Kuhn catalogue: $1,350; MacRae catalogue: $4,000, Not listed but added in Kuhn and MacRae catalogues, Colby College Museum of Art, Waterville, Maine, Drawing; now titled Reclining Woman, 1911; now dated 1913, Listed as not for sale, but sold for $65 to Alfred Stieglitz, February 20, 1913, Golden Sea Gardens; now titled Golden Sea Garden, Munson-Williams-Proctor Institute, Utica, New York, *The Doctor; now titled Interior (The Doctor), 1912, Chazen Museum of Art, University of Wisconsin, Madison, Chevaux de course; now titled Racehorses, 1884, La Sortie du bain; now titled After the Bath, 1885, Norton Simon Museum, Pasadena, California, Femme sur lit; now titled Le Repos, ca. The Armory Show of 1913 Glessner House Elmer MacRae (1875-1953) was an artist and treasurer of the Association of American Painters and Sculptors (AAPS). Most of the artists in Paris who sent works to the Armory Show knew Pach personally and entrusted their works to him. Pach was the only American artist to be closely affiliated with the Section d'Or group of artists, including Albert Gleizes, Jean Metzinger, Duchamp brothers Marcel Duchamp, Raymond Duchamp-Villon, Jacques Villon and others. Sold for $350 to George D. Pratt, February 26, 1913. The reasons for the rise of the American art world are plural and complex . 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The design for the garden is the work of M. G. Ribemont-Desseignes. [12] News reports and reviews were filled with accusations of quackery, insanity, immorality, and anarchy, as well as parodies, caricatures, doggerels, and mock exhibitions. Sold for $500 to Alfred Stieglitz, March 8, 1913, $50 in Kuhn catalogue; $100 in MacRae catalogue, Wirtsgarten; now titled Wirtsgarten in Steglitz, 1911, New York 208, Gallery G; Chicago 190 and Boston 93, as The Inn Garden, New York 357, Gallery K; Chicago 191 and Boston 94, as Landscape, New York 358, Gallery K; Chicago 192 and Boston 95, as Landscape, New York 359, Gallery K; Chicago 193 and Boston 96, as Landscape, Sold for $700 to Charles F. Williams, February 24, 1913, Munson-Williams-Proctor Arts Institute, Utica, New York, Price listed: $500.