Andrew Scordato was born in Sewell, New Jersey, and began his dance training at the age of nine at The Rock School in Philadelphia. She enrolled at the School of American Ballet at age 11 and subsequently performed several childrens roles in NYCBs production of George Balanchines The Nutcracker in the late 1950s and early 1960s. 3. All Choreography by George Balanchine The George Balanchine Trust. Ms. Abergel performed featured and soloist roles in a number of works by George Balanchine, includingThe Nutcracker, Firebird, Copplia, Swan Lake, andA Midsummer Nights Dream. 2, Union Jack, La Valse, and Vienna Waltzes; Robbinss Dances at a Gathering, Fancy Free, Fanfare (Clarinets), Glass Pieces, The Goldberg Variations, Im Old Fashioned, Interplay, In the Night, Ives, Songs, and Les Noces; and Martinss Ash, Delight of the Muses, Les Gentilhommes, Jazz (Six Syncopated Movements), Les Petits Riens, The Sleeping Beauty (Gold), Slonimskys Earbox, Swan Lake (Benno and Hungarian) and Symphonic Dances. She received her Ph.D. in Clinical Psychology, within a specialized track for adolescent issues. She was appointed to the faculty in 1998. Education Programs | American Ballet Theatre (ABT) 15, Jewels (Emeralds), Episodes, The Four Temperaments, George Balanchines The Nutcracker, La Sonnambula, La Source, A Midsummer Nights Dream, Symphony in C, Tschaikovsky Piano Concerto No. He was promoted to the rank of soloist in March of 2006 and became a principal dancer in May 2007. Careers - School of American Ballet Our History Where It All Began. Marika Anderson was born in Portland, Oregon, and began her dance training at the age of four at the School of Oregon Ballet Theatre, where she studied with Hayde Gutirrez, James Canfield, and Elena Carter. New York, New York Accepting the 2009 National Medal of Arts on behalf of the School of American Ballet is School Chairman of Faculty and Artistic Director of the New York City Ballet Peter Martins. About Studio Company Training Under ABT Studio Company Artistic Director Sascha Radetsky, ABT Studio Company members participate in an extensive schedule of classes and rehearsals. She was invited to become an apprentice with New York City Ballet in June 2006 and joined the NYCB corps de ballet in the spring of 2007. School of American Ballet - Dance Studio in New York Adrienne also works at Westside Dance Physical Therapy where her patients include dancers with New York City Ballet and various Broadway shows. School of American Ballet (@SAB_NYC) Instagram photos and videos Ms. Ash returned to her hometown of Rochester in 2018 and 2019 to partner with the city of Rochester for Swan Dreams Project summer programs for underserved youth, and she continues to seek new avenues for the Project to inspire youngsters through her example. Mr. Hall staged Justin Pecks In Creases for SABs 2018 Workshop Performances and joined the Schools permanent faculty in September 2018. Joan Lantz, Nurse Location: United States, New York, New York. In addition, Mr. Garcia created the roles of Nutcracker Prince in Mr. Tomassons Nutcrackerand Aminta in Mark MorrissSylvia, and originated a role in Mr. Wheeldons Continuum. He retired from performing in 2015 and joined SABs permanent faculty at the start of the 2015-16 Winter Term. In addition to her current work at SAB, Ms. Higgins offers privateinstruction and workshops to clients in New York City. After attending three SAB Summer Courses, she was invited to enroll as a full-time student in the fall of 1976. She performed the principal female role in George Balanchines Rubies from Jewels at SABs 1996 spring Workshop Performances and received the Schools Mae L. Wien Award for Outstanding Promise. Aaron Jackson was born in Johnson City, Tennessee, and began his dance training at the age of ten at Holloway Dance School. Additionally, Aaron enrolled in the Summer Course program at the School of American Ballet, before enrolling as a full-time student in the Fall of 1998. Amy Bordy Email & Phone Number - School of Amer.. | ZoomInfo Leadership & Staff - School of American Ballet 15, Symphony in C, Vienna Waltzes and Symphony in Three Movements. Ms. Pilarre also collaborated with Suzanne Farrell on the staging of La Valse and La Source for Suzanne Farrell Ballets 2005 performances at The Kennedy Center. She began her pursuit of classical ballet at age 10 at the Draper Dance Theatre. Lauren King was born in Massapequa Park, New York, and began her dance training at the age of 10 with Jane Miller, Luba Gulyaeva, Ali Pourfarrokh, and Lynn Glauber at the American Theater Dance Workshop, the official school of the Eglevsky Ballet Company, in New Hyde Park, New York. She reprised the roles when NYCB returned to Chicago the following year. Mr. Stafford became only the third Artistic Director in SAB history in February 2019. Recent projects include music for a documentary about the Baryshnikov Art Center in New York and music for a new theatrical production in the works about opera singer Sissieretta Jones. SABs faculty consists primarily of current and former New York City Ballet dancers, a number of whom worked directly with the Schools founder, George Balanchine. School of American Ballet School Store | Official site for all SAB merchandise | Bonfire Classic SAB Logo Apparel Crewneck Sweatshirt $35.99 Premium Unisex Tee $21.99 Premium Unisex Tank $27.99 Premium Long Sleeve Tee $31.99 Pullover Hoodie $37.99 Youth Long Sleeve Tee $26.99 Youth Pullover Hoodie $35.49 Youth Crewneck Sweatshirt $31.49 School of American Ballet Appoints New Leaders At Carolina Ballet, Ms. Severin-Hansen has had many ballets created on her and has danced the majority of the ballets in the repertoire. Ms. Ash appeared as herself and as the principal dance double for Zoe Saldana in the 2000 feature film Center Stage. She is a graduate of the LaGuardia High School of Music & Art and Performing Arts. Ms. Fairchild was a Teaching Fellow at SAB from 2012-16 and a frequent guest teacher during the 2017-18 winter and summer training programs. Sion began his career at SAB in 2005 as an Assistant Residence Hall Director and was hired full time in 2007. Mr. Scordato currently oversees the SAB/NYCB Apprentice Mentorship Program alongside SABs dean of students and continues to dance with New York City Ballet. 2,226 likes, 5 comments - School of American Ballet (@sab_nyc) on Instagram: "Take a look at our full photo gallery from our 2023 Workshop Performances, featuring amazing on-s." School of American Ballet on Instagram: "Take a look at our full photo gallery from our 2023 Workshop Performances, featuring amazing on-stage highlights from every show! 15, The Four Temperaments, George Balanchines The Nutcracker (Cavalier and Candy Cane), Tschaikovsky Piano Concerto No. Ms. Johnson served as an SAB Teaching Fellow for the 2017-2018 Winter Term, and she joined the Schools permanent faculty in January 2019 upon her retirement from New York City Ballet. He is also a guest teacher with New York City Ballet and taught at Boston Ballets 2010 and 2011 Summer Dance Program. She also directs the Schools comprehensive wellness programming and curriculum, including Pilates, physical therapy, mental health, nutrition, and Personal Enrichment Programming. HSA Dance - Harlem School of the Arts Mr. Higgins originated roles in David Allans Pastoral Dances, John Alleynes The New Blondes, Robert La Fosses Rockin In Rhythm from Duke!, Miriam Mahdavianis Appalachia Waltz and Correlazione, Mr. Martins Reliquary, Trey McIntyres Steel and Rain, Kevin ODays Swerve Poems, Robbins West Side Story Suite, Susan Stromans Makin Whoopee! (Garrison) from Double Feature, and Christopher Wheeldons Carnival of the Animals and Carousel (A Dance). Export: Opus Jazz. The greenhouses contain exotic specimens and large collections, clearly labelled, and in wonderful condition. She has taught Horton technique in the Junior and Professional Divisions at the Ailey School since 2005 and at university dance programs throughout the country, as well as in Italy for the Italian Television series Amici and Tecniche Di Danza Moderna. After a knee injury when she was 16 she ended her formal dance studies and started to pursue a new passion physical therapy. SAB and New York City Ballet have historically shared a common artistic leader: founder George Balanchine until his death in 1983, Peter Martins from 1983-2017, and, as of February 2019, Jonathan Stafford. New York City Ballet is one of the foremost dance companies in the world, with a roster of spectacular dancers and an unparalleled repertory. He joined SABs faculty in 2010 and retired from performing in 2011. 15, Jewels, Raymonda Variations, Dances at a Gathering and Copplia. His film work includes Columbia Pictures Center Stage. Contact us Our Staff Karen Vollrath, Director Ms. V has been a ballet teacher to students of all ages for more than 25 years. Mr. Garcia began guest teaching at the School of American Ballet during the 2017-18 Winter Term and joined SABs permanent faculty in September 2018. In February 2019, he was named Artistic Director of both New York City Ballet and the School of American Ballet. She was cast by George Balanchine as a Party Scene guest and Polichinelle. 32. Mr. Stafford joined SABs permanent faculty in 2007 and was named the Schools first Professional Placement Manager in 2015. The Department of Student Life, which he oversees in its entirety, supports students outside of the studio with resources that are integral to their development. Marimba is a graduate of Barnard College of Columbia University with a degree in Art History. Meagan Mann was reared in Lakewood and Howell, New Jersey, and began her ballet training at More Than Dance in Jackson, New Jersey. In October 1999, Mr. Hall became an apprentice with NYCB, and he joined the Company as a member of the corps de ballet in February 2000. Phoebe Higgins trained in SABs Childrens Division from the ages of 8 to 12 and also received ballet instruction as a child fromSAB alumna Romana Kryzanowska. In early 2007, she stagedSerenadewith Francia Russell for the Bolshoi Ballet. Ms. Anderson was invited to become a teaching fellow at the School of American Ballet in early 2016. Katy is responsible for supporting the non-artistic developmental needs of the Childrens Division. In 2018 she became a trainee with the Pennsylvania Ballet under the direction of Angel Corella. She attended the School of American Ballets 5-week Summer Course at the age of 12 and enrolled as a full-time student in the Schools Intermediate division one year later. Located in the heart of the theater district in Manhattan, Professional Performing Arts School (PPAS) was created in 1990 to meet the needs of two groups of students - those demonstrating a strong talent and passion for the performing arts and those who were pursuing professional work in the arts. After attending the School of American Ballets 2000 and 2002 Summer Courses, Ms. Anderson enrolled as a year-round student in September 2002. Ms. Hoover started her ballet training at age 6 at Central Pennsylvania Youth Ballet under the direction of Marcia Dale Weary. In the early 1960s, George Balanchine asked Ms. Schorer to assist him as a teacher at the Company and in Ford Foundation Seminars for teachers. She joined SABs permanent faculty in September 2016 and continues to perform as a member of New York City Ballet. Margaret Severin-Hansen began her training at the Huntington School of Ballet on Long Island, NY. At SABs June 1990 Workshop performances, she danced featured roles inStars and Stripesand the pas de deux fromKermesse in Bruges. Prior to receiving his Bachelor and Master of Music degrees in composition from The Juilliard School, he trained at the School of American Ballet and danced professionally for New York City Ballet. 1934 Lincoln Kirstein and George Balanchine open the School of American Ballet in New York City At only 26 years of age, Lincoln Kirstein, a wealthy, Boston-born admirer of dance and the arts developed a plan to start a new American ballet tradition equal to the celebrated dance found in Europe. Suki Schorer began her professional career with the San Francisco Ballet and joined the New York City Ballet in 1959, becoming a principal dancer in 1968. At all levels of training, they strive to communicate the fine points of classicism that are the foundation of Balanchines aestheticteaching students to move with musicality, control, precision, speed and expansiveness. In addition, to being a Principal at Carolina Ballet, Ms. Severin-Hansen is the Director of the Ruth S. Shur Summer Intensive and Co-Chairman of the School of Carolina Ballet. in Organizational Leadership. Contact Amy Bordy's Phone Number and Email Last Update 3/16/2023 1:02 AM Email a***@sab.org Engage via Email Contact Number (212) ***-**** Engage via Phone Mobile Number (***) ***-**** Engage via Mobile HQ Phone (212) 769-6600 Company School of American Ballet Amy Bordy Current Workplace Ms. Anderson also originated a featured role in Justin PecksThe Most Incredible Thing. All Rights Reserved. Gardens. Ms. Ash is a founding member of SABs Alumni Advisory Committee for Diversity and Inclusion, and she continues to head The Swan Dreams Project, a not-for-profit she founded in 2009 whose mission is to dismantle stereotypes surrounding race, beauty and talent through imagery and programming. The Department of Student Life aims to ensure that each student has the support they need to grow and develop across our divisions. She served as a guest teacher at the Schools 2016 and 2017 California Workshop for Young Dancers and during the 2017-2018 Winter Term and held the position of Visiting Faculty Chair from September 2018 to July 2020. Admission is by audition only. Katy Vedder joined SAB in 2011 as the Schools Receptionist. She earned her BS in Kinesiology from Miami University of Ohio where she studied the effects of the Female Athlete Triad on a dancers likelihood of injury. Ms. Johnsons repertoire includes featured roles in George Balanchines Concerto Barocco, Chaconne, The Four Temperaments, George Balanchines The Nutcracker, La Valse, and Walpurgisnacht Ballet; in Peter Martinss The Sleeping Beauty, Swan Lake, Bal de Couture, and Fearful Symmetries; and in Justin Pecks Everywhere We Go. Ms. Pilarre was invited by George Balanchine to join NYCB when she was 15. In 2003, Ms. Ash joined Bjart Ballet Lausanne as a soloist and for two years toured Europe and the Far East performing new and classic works by Maurice Bjart, including a principal role in his landmark Le Presbytre. She began her dance training at the age of six at the Dallas Metropolitan Ballet, where she studied with Ann Etgen and Bill Atkinson. She has danced principal or soloist parts in George Balanchines Ballo Della Regina, Chaconne, Divertimento No. It's the main church of tourcoing, and very impressive! Ms. Pilarre set this version of Symphonie Concertante on ABT in 1994. Born in Maywood, Illinois, Craig Hall began his dance training at the age of four at Stairway of the Stars with Lois Baumann. Ms. King has performed a wide range of featured roles during her career at New York City Ballet spanning the Companys diverse repertoire. The School of American Ballet ( SAB) is the associate school of the New York City Ballet, a ballet company based at the Lincoln Center for the Performing Arts in New York City. During his performing career with New York City Ballet, Mr. Stafford danced featured roles in George Balanchines Firebird, The Four Temperaments, Divertimento No. American Ballet School She learned the Pilates Method from Romana Kryzanowska, also an SAB alumna and direct disciple of Joseph Pilates, for nearly 30 years. Additionally, he has taught at the Washington School of Ballet since 2010. Ms. Hyltin was NYCBs Janice Levin Dancer Honoree for 2005-2006. Founded in 1948. Januar 1934 in der Madison Avenue 637, New York City. She was named Childrens Repertory Director at New York City Ballet in the fall of 2012. He accepted the medal from President Barack Obama at an East Room ceremony at the White House on February 25, 2010. They also appear in lecture demonstrations and residencies at public and private schools. Ms. Killian originated a principal role in Jerome Robbinss Ives, Songs in 1988. These dancers offer public presentations of their own repertoire as well as appear in performances with the main company. Ms. Fairchild has originated principal roles in ballets by Robert La Fosse (Land of Nod), Peter Martins (Bal de Couture,Nave and Sentimental Music), Angelin Preljocaj (Spectral Evidence), Alexei Ratmansky (Namouna,A Grand Divertissement), Susan Stroman (Double Feature) and Christopher Wheeldon (Shambards). Born in Carlisle, Pennsylvania, Jonathan Stafford began his dance training at the age of eight with the Central Pennsylvania Youth Ballet under the direction of Marcia Dale Weary. Charity Navigator - Rating for The School of American Ballet She is a recipient of the Marcia Dale Weary Legacy Award in recognition of her lifelong commitment to education in the arts. From Josephine Baker to Billy "Bonjangles" Robinson, Harlem has been the home to many amazing dancers and these artists are highlighted throughout our class curricula. Since 2003, Ms. Hoover has directed the Central Pennsylvania Youth Ballets Teachers Workshop for dance instructors from around the world, and in 2013 she directed a teachers workshop for the Miami City Ballet School.
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